Inputs and Outputs
The Fireface 802 provides 60 channels of audio: 30 input and 30 output channels. All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.
AVAILABLE I/OS (CHANNELS) WITH VARIOUS SAMPLE RATES:
The Fireface 802 has 12 analog I/Os.
8 balanced TRS on the back and 4 XLR inputs with Mic/Instrument preamps on the front.
On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9/10 and 11/12).
Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS & XLR I/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.
Equipped with the latest low latency A/D and D/A converter chips, all I/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.
Due to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD/DA conversion, even when clocking to an external clock source.
Every input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).
All outputs can be used for ASIO Direct Monitoring (ADM) purposes.
For Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters. Microphone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.
The pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.
The four inputs on the front use balanced XLR/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.
Each channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.
The Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I/Os on the rear.
The Fireface 802 has one professional AES/EBU I/O operating at up to 192 kHz.
Two 8-channel ADAT I/Os allow for a connection of two additional AD/DA converters or the insertion of effects devices and mixing consoles. Both I/Os support sample rates at up to 192 kHz (S/MUX4). Like AES/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.
The second ADAT I/O can be used as optical SPDIF I/O, making the Fireface 802 connections even more flexible.
WORD CLOCK & MIDI
A word clock input and output (BNC) with switchable termination and a MIDI I/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.
RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the 802 converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a pristine sound quality!
SteadyClock allows the Fireface 802 to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio world's most often used sample rates.
Intelligent Clock Control not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck offer a quick detection of clock problems.
The 802 comes with RME´s unique software tool box for metering, testing, measuring and analyzing digital audio streams. It provides a multi-track recorder, calculates the level meters peak and RMS in hardware, and analyzes and displays audio in multiple ways, like stereo, multichannel, all channels, surround, spectral, and many more.
The specially developed, internal hi-performance switch mode power supply lets the 802 operate in the range of 100V to 240V AC, thus can be operated all over the world. It is short-circuit proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.
STAND ALONE OPERATION WITH SETUP RECALL
The Fireface 802 can be set up and configured directly via iPad, MIDI remote and ARC. Additionally 6 memory slots are present where the current configuration can be stored permanently. This way the 802 operates independently from a computer. In stand-alone operation it can turn itself into different devices by the simple push on a button.